Cookies
This website uses cookies to store settings and collect website statistics.
If you click the "Allow cookies" button below, you are giving us permission to use these cookies.

If you want more detailed information, please use the "More info" button.

We distinguish the following types of cookies based on their purposes:

  • Essential/ Strictly Necessary Cookies:

    These cookies are necessary to enable the website to function and cannot be disabled in our systems. They are usually set in response to actions made by you, such as setting your privacy preferences, logging in, or filling out forms. They are essential for effective communication and facilitate navigation (for example, returning to a previous page, etc.).

  • Non-Essential Cookies:

    These cookies are not essential for the website to function, but they help us provide an improved and personalized website experience.

    • » Functional cookies:

      These cookies enable the website to offer enhanced functionality and personalization. They can be set by us or by external providers whose services we have added to our pages.

    • » Analytical cookies:

      These cookies allow us to track visits and traffic, enabling us to measure and improve the performance of our website. They help us understand which pages are the most and least popular and how visitors navigate the site.

    • » Targeting / advertising cookies:

      These cookies may be set through our website by our advertising partners. They may be used by those companies to build a profile of your interests and show you relevant advertisements on other sites.

We utilize both our own cookies and cookies from carefully selected partners with whom we collaborate.


Want to know more?

Take a look at our Cookie policy and our Privacy policy .

Cookie image
0 0

blue heaven

HomeTexts expoblue heaven

In the course of time - 1983 and 2015

It started in 1983 with a solo presentation during the Kunstmanifestatie in the Nieuwe Kerk in Amsterdam in the gallery's stand.Many solo and group exhibitions would follow, both in the gallery and several times during fairs at the Kunst RAI Amsterdam and Art Twente Hengelo.

The everyday is not so ordinary

It is Piet Stockmans who makes you aware of this with his work, not only with the Sonja cup that he designed in 1967 for MOSA and which was produced in large numbers, but also with the dinner sets, which are of great simplicity and perfection.

They are numbers that also play a role in his free work.

Pots in rows are playfully filled with all possible ceramic materials from his studio fused and cooked in the kiln.

Playing with the material and licking ...Great that unconventional approach to porcelain.

The plates and crucibles of porcelain from his installations pass through his hands with rhythmic regularity in small and large numbers. They are given a color, dipped in glaze, “signified” with a brush, touched by hand in the still wet porcelain.

Thus the work bears the signature of Piet Stockmans.

Annemie Boissevain Galerie De Witte Voet

Give a gift voucher

More info